For decades the nicest restaurant in Providence might have been the old Rusty Scupper, but in the 1980′s, Johanne Killeen and George Germon not only transformed the restaurant scene in Providence, but also proved that small cities with brilliant chefs could compete.

Mr. Scott was retired from Union Carbide with 33 years of service. He was an avid outdoorsman who loved hunting, fishing, but above all, he loved and adored his family.

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More information: Tim Gruene et al. Rapid structure determination of microcrystalline molecular compounds using electron diffraction, Angewandte Chemie International Edition (2018). DOI: 10.1002/anie.201811318

The English actress, 35, was absolutely stunning in a gauzy white dress featuring billowing sleeves and a deep V-neckline which perfectly showcased her delicate cleavage.

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STONE SOUR played a short acoustic set Friday afternoon (August 31) on the stage in the parking lot of the Zippo/Case Museum in Bradford, Pennsylvania. The event was part of the company’s Zippo Sessions, exclusive, intimate acoustic sessions with some of the hottest bands playing at the major festivals that the Zippo Encore booth attends.

Barrett noted that his team’s results, combined with previous experiments, "present a puzzle" for theorists trying to understand how time crystals form.

If you want to live a low maintenance life, do not—I repeat—do not dye your hair. Whether you’re bleaching it or getting a single process for a new shade of red, coloring your hair adds a significant amount of work to your routine.

Aly Walansky is a NY-based lifestyles writer. Her work appears in dozens of digital and print publications regularly. Visit her on Twitter or email her at alywalansky@gmail.com.

It’s been a big year for North Texas, especially when it comes to innovation. From industry disruptors, to technological breakthroughs, to groundbreaking advancements, we’ve seen it all in 2018—and we …

How blue can it get? How deep can it be? Some years ago, at the Guggenheim Bilbao, I thought I’d hit on the ultimate blue, displayed on the gallery floor. Yves Klein, who died at thirty-four, was obsessed with purging color of any external associations. Gestural abstraction, he felt, was clotted with sentimental extraneousness. But, in search of chromatic purity, Klein realized that even the purest pigments’ intensity dulled when combined with a binder such as oil, egg, or acrylic. In 1960, he commissioned a synthetic binder that would resist the absorption of light waves, delivering maximum reflectiveness. Until that day in Bilbao, I’d thought Klein a bit of a monomaniacal bore, but Klein International Blue, as he named the pigment—rolled out flat or pimpled, with saturated sponges embedded in the paint surface—turned my eyeballs inside out, rods and cones jiving with joy. This is it, I thought. It can’t get any bluer.